The Tansey Miniatures Foundation

The Tansey Miniatures Foundation

Self-Portrait

Jean-Baptiste Couvelet

This small portrait of a gentleman entered the Tansey Collection as a portrait of an unknown man, but from a graphic print it has been identified as a self-portrait by the miniaturist Jean-Baptiste Couvelet.1 The artist is shown in profile, turning his head towards the observer, on whom he gazes. In actual fact he is studying his own features in a mirror so that he can render his face as realistically as possible. This probably resulted first of all in a drawing on which the miniature was then based.2
Jean-Baptiste Couvelet was one of the most talented miniaturists of his time. In his youth, he studied in Paris for several years, after which he settled in Charleville, a French town close to the border to what is now Belgium. Here he lived with his wife, Marguerite Adélaïde Colson, and their five children.3 He earned his living as a portrait painter in oils and miniature but also taught at the local art school. Couvelet’s works appear down-to-earth and honest because the sitters are not made up and therefore the pictures sometimes appear a little unflattering. They were sometimes called “provincial”,4 but exert a unique fascination owing to their realism.
B. P.

1 The etching shows the miniature laterally reversed (oval, 10 x 8 cm, private collection, cf. Chaignet-Sortais 2013, p. 65). For Couvelet’s life and work, cf. Emile Baudson, Henri Labaste, Un artiste ardennais. Le peintre J.-B. Couvelet et son temps (1772-1830), Mezières-Charleville 1934, and Bernadette Chaignet-Sortais, „Jean-Baptiste Couvelet, Jean-Baptiste Ponce Lambert, Angélique Bouillet: Œuvres en miniature“, in: Lemoine-Bouchard 2013, pp. 63-9.
2 The etching is almost twice as large as the miniature. In addition to several self-portraits in oils, a miniature of Couvelet that his friend Jean-Baptiste Ponce Lambert painted of him is also known (private collection, reproduced in Chaignet-Sortais 2013, p. 67).
3 In a family portrait from 1811, the artist depicted himself while painting his wife surrounded by their three sons and two daughters (reproduced in Baudson and Labaste 1934, plate V).
4 Cf. Chaignet-Sortais 2013, p. 65.